Category Archives: Uncategorized

Calendar of Multimedia Training and Events

JUNE

  •  Since 2002, the Society of Professional Journalists has awarded $10,000 to a person, group or organization that works to preserve one or more of the rights guaranteed by the First Amendment. If you, a person or an organization you know fiercely protects these rights, submit a nomination for the 2014 Eugene S. Pulliam First Amendment Award by June 22. The Sigma Delta Chi Foundation (SPJ’s supporting foundation) dedicates this honor to anyone who upholds this pillar of democracy, not just journalists. Visit SPJ’s website to learn more, see a list of past honorees and submit the nomination materials. Awards Coordinator Chad Hosier, awards@spj.org, can answer any questions you may have. Submit a Pulliam First Amendment Award nomination today.
  • The best in the business will gather for more than 100 panels, hands-on classes and special presentations about covering business, public safety, government, health care, education, the military, the environment and other key beats at the 2014 IRE conference June 26-29, 2014 in San Francisco. Speakers will share strategies for locating documents and gaining access to public records, finding the best stories and managing investigations. Join the discussion about how to practice investigative journalism in print, broadcast, Web and alternative newsroom models.

JULY

  • The Native American Journalists Association will hold the 2014 National Native Media Conference held in Santa Clara, Calif. Join more than 300 Native journalists, media professionals and tribal community representatives from across the country at the 30th annual event commemorating three decades of enhancing Native journalism July 10-13, 2014 at the Hyatt Regency Santa Clara. Members of the Native American Journalists Association save $50 on conference registration – become a member to take advantage of the discount.
  • The National Association of Black Journalists will hold its 39th Annual Convention and Career Fair in Boston July 30-Aug. 3, 2014. Thousands of journalists, media executives, public relations professionals, and students are expected to attend to network, participate in professional development sessions and celebrate excellence in journalism.

AUGUST 

  • The National Association of Hispanic Journalists will hold its Annual Multimedia Convention & Career Expo August 7-9, 2014 at the Henry B. Gonzalez Convention Center in San Antonio, Texas. The National Association of Hispanic Journalists (NAHJ) is dedicated to the recognition and professional advancement of Hispanics in the news industry. NAHJ has approximately 1,500 members, including working journalists, journalism students, other media-related professionals and journalism educators.

SEPTEMBER

  • For the past 7 years, data enthusiasts from all over the globe have come together for the Tableau Conference. They’ve discovered how to leverage their investment in data analytics, hear what’s next in business intelligence, and network with other like-minded individuals. This year you can expect the same. The conference will host more than 240 sessions, 10 super sessions, 4 engaging keynote speakers in Seattle, Washington from September 8 to 12. 
  • The Online News Association 2014 Conference & Awards Banquet is the premier gathering of highly engaged digital journalists shaping media now. Learn about new tools and technologies, network with peers from around the world and celebrate excellence at the Online Journalism Awards. ONA  is looking for your input on sessions for ONA14, Sept. 25-27, in Chicago. Submit your session proposals  from March 20 to April 18. Submit one here

If you have items you wish to include, please email them to me at benet AT aviationqueen DOT COM. Thanks!!

High school journalism camp targets budding storytellers

By Crystal Garner, DJTF Intern

While most college and university journalism programs are drilling the tools and concepts of digital storytelling into the heads of college-aged students, Savannah State University has decided to go for an even younger demographic.

High School Students.

Approximately 20 students will immerse themselves in the campus life of Savannah State University while learning journalism at SSU Media High, a digital magazine and high school journalism camp. The camp, which begins on June 15, will allow students aged 13-17 to spend two weeks producing news and features for a general interest, digital magazine, said Wanda Lloyd, chair of the school’s journalism department and former executive editor of The Montgomery Advertiser.

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Lloyd, who became chair of Savannah State University’s School of Journalism last summer,  said she got the idea about Media High after noticing high school students on campus for several different summer programs and camps, none of which involved journalism.

With a history of working with Howard University’s high school journalism camp, Lloyd understands that camps like this can provide journalism skills to students while helping colleges attract the best and brightest.

“The work produced in the program will give (students) an upper-leg,” Lloyd said. “My goal is to increase the capacity of journalism in the Savannah area and increase awareness of our mass communication program so students will consider Savannah State University when (choosing) a college.”

Benet Wilson, NABJ’s Digital Journalism Task Force Vice Chair of Education, says journalism education should start early. She applauds Savannah State University for training the next generation of journalists.

“Programs like Media High give budding reporters a great foundation for their future careers,” Wilson said. “They also give students a taste of what the industry is like, allowing them to make an informed decision as they consider what college to attend.”

Media High will launch this summer under the direction of camp program director Tina A. Brown.

Brown, a professional journalist with 30 years experience, said she hopes to attract curious learners interested in acquiring newsroom skills quickly.

Candidates will be required to write an essay about themselves and why they would benefit from the program, Brown said. Those selected will produce news on multiple platforms, including video and audio, she added.

“Everything will be done online,” Brown said. “Students will cover events on campus and in the community.” Staff and students at the university will serve as mentors in the program, she said, and field trips to local media outlets and to city council meetings are included in the schedule.

The total cost to operate Media High is about $25,000, with the lion’s share of the money coming from public funding: a $14, 000 federal grant; $4,000 from the Dow Jones News Fund; and $2,000 from student participants themselves. Organizers say students will need assistance covering their share of the costs.

While existing funds will pay for the operation of the program, Media High needs money to cover students’ expenses, including meals and housing. Stipulations for current funding precludes program managers from using any of the $16,000 to purchase meals, which Brown estimates will cost $22 a day per student, she said.  

Contributions are tax deductible  and checks can be made to:

SSU Foundation, Inc.,
In care of: Wanda Lloyd, chair of Mass Communications, SSU Media High,
3219 College Street, Savannah, Ga. 31404.
 

Diving into Data

By Crystal Garner, DJTF Intern

In the ever-changing age of digital media, data visualization is king.

Vitaly Friedman, editor-in-chief of Smashing Magazine, an online outlet providing innovative information to Web designers and developers, describes it as a way “to communicate information clearly and effectively through graphical means.” Simply put, it turns information into something visually appealing.

While one of the most sought after skill sets in newsrooms across the globe is spiking in use by news organizations, marketing firms and internet companies, the number of journalists of color who are capable of producing data visualizations is flatlining. Why is it that journalists of color are not flocking to this type of storytelling? If it’s because many don’t understand what it is, the NABJ Digital Journalism Task Force is aiming to change that.

On April 29, 2014 from 11a.m. to noon, NABJ Digital hosts a Twitter chat with Faye Anderson of Tracking Change, an advocacy platform to turn data into action; Zach Seward of Quartz, a digital news outlet for business people; and Samantha Sunne of Hacks and Hackers, a grassroots journalism organization. The panelists will answer your questions about diving into data visualization.

Tracking Change's Faye Anderson, Hacks and Hackers' Samantha Sunne and Quartz' Zach Seward

The task force decided to put this Twitter chat together as part of its mission to ensure that NABJ’s members have all the skills they need to be the best digital journalists they can be, said Tracie Powell, DJTF co-chair. Since big data is changing the way journalists tell stories, making sure they have the tools and the know-how to use them is important, she said.

“Being able to process data, understand it, extract value from it and communicate it is increasingly a hugely important skill for journalists in helping citizens understand pressing issues using charts, graphics, maps and more,” she said. “Data visualization is not only important because it helps journalists tell better stories, it is important in terms of career advancement.”

To follow the Data Visualization Twitter Chat, use hashtag #nabjdata.

She’s The Boss: Female Media Entrepreneurs of Color Share Their Stories

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The Maynard Institute for Journalism Education recently hosted a Twitter Chat with a group of female journalists of color who took their entrepreneurial dreams and turned them into reality. This panel of journalistic businesswomen included: Bobbi Bowman, (left) a former editor for The Washington Post and USA Today, who made the leap into entrepreneurship when she launched the hyperlocal news site, The McLean Ear, which later became McLean Patch; Kelly Virella, a former investigative reporter and editor who is about to start a long form digital magazine called The Urban Thinker, (right); Tomoko Hosaka, Chief Operating Officer at Plympton  (parent company of Rooster, a reading app that picks books for users and delivers them in installments to mobile devices; Karen Lincoln Michel, who blogs at A Digital Native American and is former president of Unity Journalists; and Marisa Trevino, creator of LatinaLista, a news portal for the Latino community. Here are their insights via storify.– Staff Reports

 

 

Success in journalism, according to my mother

By Crystal Garner, DJTF Intern

No one knows the ups and downs of my journalism journey quite like my mother, Mary.

Granted, she isn’t a news veteran or a tech mogul, but the things she’s told me as I’ve walked this path have helped me achieve a lot as a young journalist.

Like many of you, I had people in my life who tried to discourage me from becoming a journalist. For example, one high school official made years of confidence in my decision to study journalism vanished like magic with a short conversation.

I was young and fragile, and my aspirations were met with laughter.

It was Mom To The Rescue with the encouragement I needed. She said I would excel as a journalist. Not to sound like The Waterboy’s Bobby Boucher, but “mama’s right.”

Because I think that Mom’s wisdom can help you too, I’d like to share some of it. Here is some of her best advice:

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1.  Be assertive or aggressive or aggressively assertive.

Contrary to what people  say, I don’t believe that journalistic opportunities  knock. You have to do the knocking and open the door. Sometimes you even have to pick the lock or kick the door down. Or slide someone on the other side a fiver.

I say all that to say this: You have to be persistently assertive. When I was a freshman in college, I was offered an internship opportunity at Voice of America in Washington, but my academic advisor told me to turn it down.

I took it anyway. I believed that if the employer who selected you believed I was capable of doing this, then I was. It was unpaid, but I learned a lot and made life-long contacts. I even turned the experience into an article for USA TODAY College, highlighting the struggles of not being paid.

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During my sophomore year, I was offered a generously paid summer internship with NASA in their communication office. My advisor told me to turn it down and wait until my junior year. Once again, I took the opportunity and it opened many doors for me.

Now I’m not saying that you should ignore your advisers, and neither is Mom, but if you’re going to make it in journalism, you have to be assertive…and the internship market is where it starts.

(And on another note, I don’t understand why advisers discourage freshmen and sophomores from taking internships anyway. Have they seen the business lately? Don’t they know that you need as much experience as possible in this market?!)

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2.  Say “yes,” man!

If you are familiar with the film Yes Man, you know where I’m going with this. Up until now, I’ve said yes to every opportunity that could positively affect my journalism career, no matter how big or small. As a result, my resume does not come close to covering all of  the experiences I’ve had.

I would never encourage anyone to overload themselves, but having a substantial amount of experience and experiences at an early stage in your career catches the attention of recruiters’ and employers’ and shows your determination.

The tricky part is getting yourself plugged into early opportunities. It is like the catch 22 of establishing credit:  You can’t get credit without a credit history, but you need credit to establish one.

From starting a blog or a magazine to pitching stories to  student media outlets, If no opportunity presents itself, create one  and say “yes” to yourself,

Patience is also important.

In high school, I interned at the local newspaper in my hometown. Most days, I was asked to take on the tasks of writing obits and lunch menus. It wasn’t the most exciting thing, but I seized the opportunity and patiently waited for other assignments, which did come.

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3. Use “No” to grow.

Whenever I apply for a development opportunity and I’m not selected, I like to find out why and make the necessary adjustments. I then re-apply.

For example, I applied for The Society for Professionals Journalists’ “Will Write for Food” program, and I was rejected. I was accepted the following year. I applied for the Online News Association’s Student Newsroom and got rejected, but I was welcomed into the program the next year.  I submitted an application to be involved with NABJ’s Multimedia Student Project…you get what I mean.

Many opportunities are offered annually or bi-annually, so you have ample  time to prepare. I like to say resumes, cover letters and personal statements are like wine. They get better with time.

You know NPR, The Washington Post and NBC open their internship applications during the same time period each year, so take your time and do your research early on. Perfect your application materials ahead of time. There is no greater satisfaction than turning in an impressive application. Recruiters and employers do notice.

It’s not so much about hearing a “no,” it’s how you use that “no” to your advantage.

There is no perfect path, and there is always room to grow as a journalist. You just have to put your best foot forward. Or as Mom says, “You just have to believe that you can do it!”

Why Journalists Should Care About Today’s Net Neutrality Ruling

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Photo by Steve Rhode, via Flickr.

Internet service providers, like Verizon and Comcast, can give preference to some content owners over others or block them, a federal appeals court ruled this morning.

Quite simply, this means Internet service providers can pick and choose the content consumers see and how they see it. The ruling, Verizon v. Federal Communications Commission, is a setback to what is more commonly called, “net neutrality,” the principal that Internet service providers should enable equal access to all content and applications regardless of the source, and without favoring or blocking particular products or websites.

The court states that the Federal Communications Act does not allow the FCC to force internet service providers to make their networks open to all.

Why should journalists and journalism organizations care?  For independent or small-scale content owners, this ruling means it will be that much harder to reach the consumers they’re targeting. For news organizations, already strapped for cash, this means either now having to pay to play on the information super highway in order to reach consumers, or worse,  having your content blocked because the Internet service provider favors another company over yours.

“This ruling means there is no one who can protect us from ISPs that block or discriminate against websites, applications or services,” according to media advocacy organization Free Press in an email blast about the ruling. Free Press has been warning of the threat for more than a year.

The court did allow that Internet service providers will have to disclose their practices to users. During the holidays, Republican members of Congress announced plans to update the federal communications law by offering a more modern one that takes into account the changing media landscape, they said.

Congress first passed the Communications Act of 1934, which created the FCC to encourage and regulate electronic communication in the United States; the law was revised in 1996. Signed by then-President Bill Clinton, the initial purpose of the current law was to deregulate the converging broadcast and telecommunications industries.

Under a more modern communications law, Congress could give the FCC power to make and enforce rules that would require telecom companies to keep their networks open. Or Congress can bend to the will of the telecom lobby and allow the court’s ruling to usher in a new era of unequal access to the internet. Public hearings on this matter promise to be top news in months to come.

UPDATE: This afternoon Comcast released a statement that the cable provider would continue to play by open internet rules, at least through 2018, per an agreement it made with the government when it merged with NBCUniversal.

Note: This story is developing; it will update once I read the ruling further. 

Tracie Powell is co-chair of the NABJ Digital Journalism Task Force. She writes about the media and media policy issues. 

Best of DJTF Blog: Resources To Build That Perfect Portfolio Website

Editor’s note: We are taking this week off to enjoy the holidays with our families.  So this week, we’ll be re-running past posts.  Today’s post is from DJTF immediate past chair Benet Wilson, who posts tips on how to build a professional online portfolio.  It originally ran on July 5.  Also, join the NABJ Digital Journalism Task Force for a virtual conference “New Year, New You,” on Saturday, Jan. 11 from 10:00 a.m. to 1:45 p.m. In four hour-long sessions, attendees will learn mobile journalism tips and tricks, how to create an online portfolio, steps needed to create your journalism brand and taking your resume to the next level.  You can take 1, 2, 3, or all 4 webinars, and they will be recorded in case you can’t make it. Click here for more information. Enjoy!

As preparation continues for this year’s National Association of Black Journalists Annual Convention and Career Fair, I can feel the excitement and preparation that is taking place.  One of the key items you need to have in time for the convention is an online portfolio where potential employers can see your work all in one place.

Michelle Johnson, Associate Professor of the Practice, Journalism at Boston University, NABJ Educator of the Year AND one of my digital journalism heroes, did a workshop at the 2011 Philadelphia convention –The One-minute Media Mogul: Creating Online Portfolios — that is my go-to resource.  When I got laid off in October 2011, Michelle was one of the first people I called. I wanted to get her notes from her great presentation so I could create my own portfolio.

She kindly gave me permission to share them, so here they are, as promised. I’d love to hear from you on which site you decide to use, and send links to see what you came up with.  Thanks!!

For Building a Free/Low-cost Portfolio or Website
WordPress.com
Wix.com
Tumblr.com
Weebly.com
Squarespace.com
Bluehost.com (for setting up a “self-hosted” version of WordPress)

Tips: Creating an Online Portfolio Using WordPress
WordPress is not just for blogging! It’s a full-fledged “content management system” that you can use to build a web site. With just a few tweaks, you can easily and quickly launch your own site. See these articles for details:
CUNY: Creating a Top-Notch Journalist Portfolio

How to Build a Distinctive Portfolio Site
WordPress.com vs hosted WordPress

“Self-hosted” WordPress Bluehost.com tutorials:
How to Install WordPress
Installing Themes
Setting up WordPress as a CMS
http://wordpress.forthenovice.com (videos)

WordPress.com Tutorials/Help
If you are using the free version of WordPress, look here for tips on how to configure your site: WordPress.com Support

Embedding documents
Do you want to embed :
Scribd.com - Need to embed a pdf of your resume? Try scribd.
Docstoc.com – Similiar to Scribd.
Tutorial: How to Embed PDF, Spreadsheets, etc. into WordPress
WordPress Plugin: Google Doc Embedder (Note: this works only for the self-hosted version of WordPress, not the free version.

WordPress Themes (aka templates)
Wordpress.com Theme Showcase: http://theme.wordpress.com/themes/

Note: The themes below are for “self-hosted” WordPress sites. You cannot install your own themes on the freebie sites available at wordpress.com.

Graph Paper Press: Great templates for photographers, visual types
Gabfire: For creating a news site.
Themeforest.net: My personal favorite. Tip: Click on “Wordpress” in the navigation bar first to filter out other formats.

WordPress.com vs. WordPress.org
This article compares the two.

Best of DJTF Blog: Twitter: Avoiding The Pitfalls and Building Your Brand

Editor’s note: We are taking this week off to enjoy the holidays with our families.  So this week, we’ll be re-running past posts.  Today’s post lists tweets from attentees of the Region 1 Conference who tweet their thoughts and reactions about a panel on brand building.  It originally ran on May 2.  Also, join the NABJ Digital Journalism Task Force for a virtual conference “New Year, New You,” on Saturday, Jan. 11 from 10:00 a.m. to 1:45 p.m. In four hour-long sessions, attendees will learn mobile journalism tips and tricks, how to create an online portfolio, steps needed to create your journalism brand and taking your resume to the next level.  You can take 1, 2, 3, or all 4 webinars, and they will be recorded in case you can’t make it. Click here for more information.

Enjoy!

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Andy Carvin, senior social media strategist at NPR, with his Knight-Batten Award for being the [Twitter] DJ of the Arab Spring revolution.

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Best of DJTF Blog: Tools to Help You Tap Into Your Inner JournoGeek

Editor’s note: We are taking this week off to enjoy the holidays with our families.  So this week, we’ll be re-running past posts.  Today’s post is from DJTF immediate past chair Benet Wilson, who highlights 10 digital tools to help bring out the tech savvy journalist in all of us!  It originally ran on Sept. 28.  Also, join the NABJ Digital Journalism Task Force for a virtual conference “New Year, New You,” on Saturday, Jan. 11 from 10:00 a.m. to 1:45 p.m. In four hour-long sessions, attendees will learn mobile journalism tips and tricks, how to create an online portfolio, steps needed to create your journalism brand and taking your resume to the next level.  You can take 1, 2, 3, or all 4 webinars, and they will be recorded in case you can’t make it. Click here for more information.

Enjoy!

Earlier today, DJTF Co-Chair Kiratiana Freelon and I did a presentation – Tools to Help You Tap Into Your Inner JournoGeek   – at the NABJ Region 1 conference. We went pretty fast, so below are some of the tools I highlighted.

  1. Storify - a storytelling tool that uses Tweets, Instagram/Flickr, YouTube, Facebook and links to tell a story. You can see the stories done by NABJDigital here.
  2. HootSuite - I use this tool to handle my myriad Twitter accounts. I love that I can use HootSuite on my laptop or as an app on my iPhone and iPad. I can shorten links, schedule tweets and keep up with up to five accounts for free.
  3. SoundNote ($4.99) – this iPad app allows you to take notes and record at the same time. And if you need to check on something that was said, just tap a word and the recording goes right to that section.
  4. RebelMouse - this curation tool calls itself “your social front page.”  It allows you to connect your social media accounts, including  Facebook, Twitter, Pinterest, Tumblr and Instagram and show it off on a beautiful page. The feed can be embedded int websites. Check out my RebelMouse page here. And see how Al Jazeera America used it for a series on fast-food workers here.
  5. Timeline JS – this is a simple to use, yet striking timeline creator. You can use media including Twitter, Flickr, Google Maps, YouTube, Vimeo, Vine, Dailymotion, Wikipedia, SoundCloud and other things to power your timeline. The Denver Post used Timeline JS as part of their coverage of the Aurora movie theater shootings.
  6.  Flipboard/Pocket - If you are a news junkie and have an iPad or iPhone, you need to have Flipboard. This app allows you to create a customized digital magazine of your favorite publications and blogs. Mine is a mix of journalism, tech and aviation/airline stuff. If you want to save a story to read later offline, save it on the Pocket app.
  7. iTalk (free or $1.99 for Premium) – we all know the built-in iPhone recorder is crap. iTalk allows you to record at good, better and best levels, with no time limits. With the free version, you can email smaller files, but need to download a program on your laptop to upload larger files. With the paid version, you can send the file to Dropbox or share it on SoundCloud.
  8. iPrompt Pro – this is a great app for multimedia journalists because it turns your iPad or iPhone into a teleprompter (although I don’t recommend it for the iPhone).
  9. Clear Watermark ($1.99)/Text on Photo – Both of these apps allow you to apply a watermark on your photos or video while out in the field.
  10. Apps Gone Free – every day, this app offers for free between 4 and 10 apps. Be warned – you will see a lot of crap (photo editing productivity, games, to-do lists, etc.), but there will be some gems. I found SoundNotes, iPromptPro and Clear Watermark wth this app.

Best of DJTF Blog: Open discussion: Separating your personal and professional life on social media

Editor’s note: We are taking this week off to enjoy the holidays with our families.  So this week, we’ll be re-running past posts.  Today’s post is from former DJTF intern Ameena Rasheed, who opens discourse on journalists having separate social media accounts personal and professional use.  It originally ran on Feb. 13.  Also, join the NABJ Digital Journalism Task Force for a virtual conference “New Year, New You,” on Saturday, Jan. 11 from 10:00 a.m. to 1:45 p.m. In four hour-long sessions, attendees will learn mobile journalism tips and tricks, how to create an online portfolio, steps needed to create your journalism brand and taking your resume to the next level.  You can take 1, 2, 3, or all 4 webinars, and they will be recorded in case you can’t make it. Click here for more information.

Enjoy!

Having separate professional and personal social media profiles is one of the first signs of mental illness. Ok, not really, but the stress of juggling several social media accounts is enough to make anybody go crazy — especially me.

There are some social media websites, such as LinkedIn, that cater to one’s professional network and nothing more. Other sites like Twitter and Facebook are not as clear. Platforms like those are used in various capacities, both professional and personal. For early adopters of social media, like myself, having social media began first as a leisurely activity, long before I ever thought about having it used as a vital part of my career.

It wasn’t until around 2010, when I started using social media to tell stories. In the fall of 2010, I took an online journalism course. While I was in that class, I fell in love with digital storytelling. I was forced to use platforms like Twitter and Facebook as reporting tools, which ended up leaving little room for me to be reckless on social media.

I could have created separate accounts just for that one class, but who has the time for that! I wanted my professor to take me seriously, but I didn’t want the hassle of juggling several accounts. Also, as a journalist I think that having separate accounts for your professional and personal lives might become a little confusing for those who follow your work. In my eyes, it splits your following and I would just prefer to send people to one place for each platform that I’m on. Plus, I have been to enough IRE functions to know that nothing is “private” on the web. If I’m trying keep certain thoughts and events of my life unknown to the greater public, I should keep certain things to myself.

On my accounts, I try to do a healthy balance of lifecasting, sharing my life, and mindcasting, sharing my ideas and the work of others. One of the best pieces of advice I received was about how to share content via social media was from founder and CEO of brand development company Medley Inc., Ashley Small.

She told me to think of three positive things that you want to be known for, three negative things you don’t want to be known for and then filter your content by what is on those lists. I think that NABJ member and Fox 26 news reporter Isiah Carey does this perfectly.

Of course, everyone doesn’t share my sentiments. NABJ-ers, what do you think about having separate accounts for personal and professional use? Let me know what you think in the comments.